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Keywords: Los Angeles

  • AUSTRALIA

    In praise of local councils

    • Fatima Measham
    • 27 October 2016
    7 Comments

    Unless you have lived elsewhere, where taxes and rates rarely manifest as a tangible and permanent benefit, it is easy to take councils for granted. I grew up in a town where potholes are forever, healthcare is ad hoc and libraries are private. The things that I see my local council do as a matter of routine are wild luxuries in other places around the world. Such competencies arguably measure the health of a democracy - it means that most of the money has not been lost to corruption and fraud.

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  • ARTS AND CULTURE

    Woody Allen's sexist society

    • Tim Kroenert
    • 26 October 2016
    8 Comments

    Perhaps it is the high egocentricity of Woody Allen's films that makes it difficult to separate the man from his work. More so even than Roman Polanski, the allegations of sexual abuse that have been levelled at Allen in life lend an unsavoury flavour to his art. Even revisiting Annie Hall these days, Allen's classic and endlessly innovative 1977 romantic comedy is tainted retrospectively by a sneaking sense of sexism, if not outright misogyny. The same is true of Café Society.

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  • INTERNATIONAL

    The world we choose to live in

    • Jim McDermott
    • 24 August 2016
    5 Comments

    Maybe standing there we weren't afraid about the fight that was happening across the street, but the fraying at the edges that it represents, the insecurity that the gospel both of Trump and against Trump seems to be creating in our society. It echoes the insecurity we hear in the Brexit vote, and the treatment of both ethnic British citizens and immigrants that followed. Likewise, the resurrection of Pauline Hanson and her One Nation party. None of it sounds good and where is it all going?

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  • ARTS AND CULTURE

    Not-so-nice guys have sexist cake and eat it too

    • Tim Kroenert
    • 26 May 2016

    As is the time-honoured tradition of Hollywood PIs, Holland has long bound the wounds of some unresolved grief in alcohol and cynicism. Notwithstanding individual tastes that are by no means aligned with gender, this is the kind of movie that can tend to appeal to puerile male interests while diminishing respect for women. In this regard Shane Black, a mainstream filmmaker who is more self-aware than most, tries to have his cake and eat it too, by both drawing and subverting the objectifying male gaze.

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  • ARTS AND CULTURE

    The time to look away from abuse crisis has gone

    • Richard Leonard
    • 28 January 2016
    18 Comments

    This is one of the angriest films you will ever see. In the Bible we hear about righteous anger, where God or humanity realises something is so wrong and sinful that 'holy anger' is the first and right response. At its best in the scriptures this anger leads to justice, making things right. Spotlight is an occasion for holy, righteous anger and every adult Catholic should see it.

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  • INTERNATIONAL

    US gun law change can't come soon enough

    • Jim McDermott
    • 07 October 2015
    6 Comments

    In July, an NRA article entitled 'Australia: There Will be Blood' described Australia's gun buyback as a 'mass confiscation' that left guns in the hands of criminals and everyone else defenceless. Meanwhile, America has experienced more than one mass shooting per day so far this year. My hope is that we are in that time of unsustainable stasis Malcolm Gladwell talks about, during which nothing seems to be changing, while beneath the surface stability is being eroded, leading to sudden, permanent change.

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  • ARTS AND CULTURE

    Seeking restitution for Nazi art theft

    • Tim Kroenert
    • 28 May 2015
    4 Comments

    Maria's aunt was the subject of one of Austria's most famous artworks, Portrait of Adele Bloch-Bauer I, by the painter Gustav Klimt, which was stolen from Maria's family by the Nazis during the Second World War. Maria's story raises questions about the means and consequences of individuals and nations coming to terms with difficult histories, and of what constitutes 'ownership' of cultural artefacts with a high level of national significance.

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  • ARTS AND CULTURE

    Ode to the death of hippie idealism

    • Tim Kroenert
    • 19 March 2015
    2 Comments

    In 1993 Joaquin Phoenix's brother, River, died of a drug overdose, in front of a club owned by Johnny Depp. Depp later starred in an adaptation of Hunter S. Thompson's drug-addled Fear and Loathing in Las Vegas, prompting one film critic to wonder how Depp could see much humour in the material. One might now be tempted to ask the same question of Phoenix, who was present during his brother's fatal overdose.

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  • ARTS AND CULTURE

    Dark descent to ethics-free journalism

    • Tim Kroenert
    • 27 November 2014

    The 'intervention dilemma' is a perennial consideration for journalists and those who pay them and ought to be dictated by robust personal and institutional ethics. Louis Bloom is an example of what happens when ethics are stripped away and replaced with the bottom line. He raises himself from petty thief to the rank of nightcrawler — a cameraman who specialises in shooting the aftermath of accidents and crimes, and selling the footage to news networks.

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  • ARTS AND CULTURE

    Journalist martyr's war on drugs

    • Tim Kroenert
    • 23 October 2014
    1 Comment

    In 1996, US journalist Gary Webb claimed in the San Jose Mercury News that the CIA and US State Department had supported the smuggling of crack cocaine into the US, as a way to help fund Contra rebels against the revolutionary government of Nicaragua during the Reagan era. This 'dark alliance', Webb claimed, contributed significantly to the crack epidemic in Los Angeles, and fuelled the War on Drugs that Regan himself famously escalated.

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  • INTERNATIONAL

    Order is not justice in Ferguson

    • Fatima Measham
    • 22 August 2014
    7 Comments

    The lack of restraint on Wilson's part, the indignity that shrouded Brown's body long after his death, the disproportionate force deployed against protestors and journalists in the aftermath – this has become the canvas upon which the long grievance of racialised oppression has found vivid expression.

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  • AUSTRALIA

    Best of 2013: Gillard's game of thrones

    • Jim McDermott
    • 16 January 2014
    1 Comment

    Were you not there when I appointed Lord Slippery to the most honourable office in the land? Were you not there when I travelled to Western Sydney to be with my people and then did only carefully controlled media events? I do not need to make sense. I am Queen! Now, send me my Guild of Faceless Men.

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